Houdini's first Hollywood production for Famous Players-Lasky Paramount was for a time called Circumstantial Evidence. This letter from Jesse L. Lasky dated May 24, 1919 informs Houdini that a consensus has been reached on a final title. It was actually a return to one of the first titles suggested by writers Arthur B. Reeve and John W. Grey. Looks like Houdini did not object.
As you can see, Lasky sent this to Houdini care of the "Lasky Studios" in Hollywood. It's too bad he didn't send it to the address where Houdini was residing, as it might have finally given us the "smoking gun evidence" that Houdini was living in Laurel Canyon at the time. Perhaps the re-cataloging might finally reveal that evidence?
The Harry Ransom Center recently screened The Grim Game and displayed items from their collection to mark the 90th anniversary of Houdini's death. Check out their official website.
Thanks to Eric Colleary and Kevin Connolly.
Related:
- The Grim Game screening at the Harry Ransom Center, Oct. 4
- Houdini conquers Hollywood (at last) in The Grim Game
- I've seen The Grim Game
While we're on the topic, check out my new standalone page devoted to Houdini's Movies. I'm slowly building up standalone pages like this that can be accessed from the main menu bar. Just a way to help make the site more navigable.
He might have been staying at the Lasky Players boarding house on Hollywood Boulevard where we stayed when we premiered The Grim Game for TCM. I believe Laurel and Hardy, Garbo, Valentino and Chaplin, etc. stayed there over time.
ReplyDeleteDorothy Dietrich and Dick Brookz
The Houdini Museum
The Ony Building in the World Dedicated to Houdini
Glad you were able to share this amazing letter.
ReplyDeleteAccording to a comment in a production file for the screenplay “The Grim Game”, the unproduced “Circumstantial Evidence” was a story of similar vein to “The Grim Game”, but was less contrived and offered more interesting possibilities for development. Apparently, ”The Grim Game” story developed into an absurdly contrived farce designed merely as a background for Houdini’s stunts.