I am pleased and surprised to say that Houdini works. The dramatic hinge of the story is an apparent love triangle between Bess (correctly depicted as a Coney Island showgirl), Theo ("I saw her first, Harry"– also apparently correct), and Harry ("I'm not a clown!") Houdini. This intrigue plays out against the thematic backdrop of their descent into dime-museum poverty in the 1890s and their rise to fame and glory under the guiding hand of impresario Martin Beck, played with pizzazz by a flashy P. J. Benjamin.
That year Sidney Radner, who was an enthusiastic supporter of the musical, held his Official Houdini Seance on the stage of the Goodspeed.
Despite hopes that Houdini would travel to Broadway, it appears it only played this one engagement.
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I saw this play! I recently found the playbill and ticket in my old stuff, while sorting and moving. I wish I had any clear memories of it.
ReplyDeleteOh, you saw this! Awesome. :)
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