Friday, August 30, 2024

The Margery Box in New York

Below is an illustration that appeared in Reginald Marsh's "The Spotlight" column in the New York Daily News on February 8, 1925. Marsh's column consisted of various vaudevillians sketched from the stage and reviewed with a percentage. His sketch of Houdini shows him inside the famed Margery Box.


Houdini was midway through a six-week run at the New York Hippodrome where he offered a different act each week. For this third week, he exposed the tricks of fraudulent mediums, specifically Margery. Marsh's illustration confirms Houdini used the Margery Box this week. It's also the first confirmed appearance of the box outside of Boston.

New York Evening Journal, Jan. 23, 1925

One wonders how effective this would have been on the gigantic Hippodrome stage. What more could Houdini do than demonstrate how Margery could potentially slip a ruler through the neck hole to ring the bell box? Not quite as dramatic as a vanishing elephant! Maybe that's why Marsh only gave him an 85%.

While this is the first appearance of the Margery Box in New York, it's also the last confirmed appearance of the box anywhere. Where did the Margery Box go after this? That's the question.

Below is a look at the complete Hippodrome bill for this week.

New York American, Jan. 25, 1925.

Want more? You can view Reginald Marsh's full "Spotlight" column as a member of my Patreon below and see which Hippodrome performer received the coveted 100%.

Tuesday, August 27, 2024

The Mona Lisa Mystery by M.A. Bennett

Here's some Houdini fiction I overlooked last year. The Mona Lisa Mystery by Emma Carroll is Book 3 in her "Butterfly Club" series.

Would you risk the future to change the past?

Luna, Konstantin and Aidan are time-travelling thieves working for The Butterfly Club.

When they are asked to steal a little-known painting called the Mona Lisa, Aidan can only think of one man who can make things disappear – the magician, Harry Houdini. And as luck would have it, Houdini cannot resist a challenge.

The three children and Houdini travel to 1911 Paris where they face an impossible task – stealing a painting right off the wall of the fortress-like Louvre Museum.

As Houdini prepares for the theft, a heist which will require him to pull off his greatest ever trick, the time-thieves realise that the Mona Lisa is smiling because she holds a secret. Her creator, Leonardo Da Vinci, hid mysterious codes within the painting.

The race is on to solve the puzzle in time...


Sounds fun, but why isn't Houdini included on the cover? This is probably why I overlooked it!

Purchase The Mona Lisa Mystery at Amazon.com and Amazon.co.uk. Below are some more adventures of Houdini and Time Travel.

Sunday, August 25, 2024

Where The Grim Game took flight


Today marks the anniversary of Houdini's The Grim Game opening at B.S. Moss' Broadway Theater in New York City on August 25, 1919. The movie played an exclusive two-week run with Houdini appearing in person at every performance. Our friend Joe Notaro has shared an original program on his blog, Harry Houdini Circumstantial Evidence. I encourage you to check that out.

What I want to focus on is the theater itself. The Broadway Theater opened in 1888 at the southwest corner of Broadway and 41st Street. It sat around 1,700. It was the seventh theater to bear the "Broadway" name. In 1908, it was purchased by B.S. Moss and played a mix of movies and vaudeville. As for the theater's decor, this comes from the excellent Cinema Treasures website:

The Broadway Theatre featured a somewhat generic facade on Broadway, in a five-story red brick office building with little indication of was inside, until a vertical marquee was added in the 1910’s. The elegantly decorated auditorium, with its large proscenium arch, six sets of boxes and twin balconies, featured such touches as antique copper chandeliers, gilded plasterwork around the proscenium, the box and balcony fronts and murals on the ceiling and balcony walls.


Here's something I never knew until today. On the same day as The Grim Game's opening, Howard Thurston opened at the Globe Theater on Broadway and 46th Street. Sorry, Howard, I'm seeing Harry! (But I might sneak over to the Globe the next day.)


B.S. Moss' Broadway Theater closed on January 2, 1929, and was demolished later that year. Below, you can see the site of the theater today. Where The Grim Game first took flight!


Want more? I've shared a nice selection of newspaper advertisements and reviews for The Grim Game at B.S. Moss' Broadway Theater (and a few Thurston ads) on my Patreon below.


Theater photos from Cinema Treasures.

Friday, August 23, 2024

The very best steel

As promised, here's what was inside the mystery box that I posted on Tuesday. This is a beautiful reproduction of the famed Steel Straitjacket as seen in the Tony Curtis Houdini (1953) biopic. This was a gift from Richard Sherry and Dayle Krall of Sherry and Krall Magic. Richard made a small number of these working replicas. This one he painted for me to better match the jacket in the movie. I love it!


Dunninger owned the original Steel Straitjacket and provided it to the production. Today, it is in the collection of Rob Allen (who let me put it at last year's Milbourne Christopher Awards). Richard created his replicas earlier this year and still has a few left if you want to add one to your own collection. Details can be found HERE.

Thank you, Richard and Dayle! I will treasure this.

Thursday, August 22, 2024

Choices, choices...

On the evening of February 27, 1924, both Houdini and The 4 Marx Brothers were appearing in Cleveland, Ohio. Houdini was giving his spiritualism lecture at Engineers Hall while the Marx Brothers were appearing in their breakout hit, I'll Say She Is, at the Hanna Theatre. I'd love to think Groucho worked up a special ad-lib about Houdini being down the street that night. Maybe something about chasing ghouls instead of girls? (Give me your best Groucho quip in the comments.)

The Cleveland Plain Dealer, Feb. 27, 1924.

I've covered Houdini's spiritualism lectures extensively, so let's talk about The Marx Brothers and I'll Say She Is. Like Houdini, the Marx Brothers began as vaudevillians. But in 1923, they decided to try their luck with a full evening musical comedy, I'll Say She Is. It made them superstars.

I'll Say She Is was never made into a Marx Brothers film. In fact, for the longest time, precisely what the show contained wasn't well known. But the great Noah Diamond has a particular passion for I'll Say She Is, and he recreated the show from his own research. He also penned the excellent book, Gimme a Thrill: The Story of I'll Say She Is, The Lost Marx Brothers Musical and How It Was Found.

This wasn't the only time Houdini and I'll Say She Is played the same city. At the end of 1924, I'll Say She Is was at the Missouri Theater in Kansas City while Houdini was at the nearby Mainstreet Theater. And when I'll Say She Is settled in for its long run at the Casino Theatre in New York City, Houdini appeared at the New York Hippodrome during the show's final four weeks in early 1925.

The Marx Brothers followed up I'll Say She Is with The Coconuts in 1925. Once again, we find Houdini and the brothers playing New York City simultaneously. In fact, The Coconuts and Houdini's 3 Shows in One opened on Broadway within a week of each other. The Coconuts opened at the Lyric Theatre on Dec. 8, 1925, and Houdini opened at the 44th Street Theater on Dec. 14th.

New York Daily News, Dec. 7, 1925.

I've always wondered if Houdini and Bess ever saw I'll Say She Is or The Coconuts. I would love to think that they did. Houdini and the Marx Brothers would eventually appear at the same charity event at the New York Polo Grounds in 1926, but that's another story.

You can buy Noah Diamond's Gimme a Thrill on Amazon. I'd also highly recommend Four of the Three Musketeers: The Marx Brothers on Stage by Robert S. Bader, also available on Amazon.

Wednesday, August 21, 2024

The Last Illusion with Theatre By The Blind

From July 26 to August 3, Arts Up LA! presented The Last Illusion at the Blue Door Theater in Culver City, CA. What made this production so unique is it was performed by an all-blind cast known as Theatre By The Blind.

Unfortunately, I'm only learning about this now. I would have loved to have seen this show. Hopefully, it will return someday.

Tuesday, August 20, 2024

Mystery box

I came home yesterday to find this sitting on my doorstep. What could be in this mystery box? Give me your best guesses in the comments and I will reveal all at the end of the week.

Monday, August 19, 2024

Houdini's last backstage visitor

I recently discovered an account of Houdini's last show from a man who claims to have been the only person allowed to see Houdini backstage after the performance. There are wild connections here to Henry Ford, the Lincoln assassination, and a mummy! I've shared this as a History Exclusive on my Patreon. Click below to go backstage.

Friday, August 16, 2024

Houdini's gold lock


Here's an intriguing account of a mailbag escape Houdini performed in New Orleans in November 1907. Is this "Houdini" engraved gold lock still out there somewhere? A new treasure hunt for us!

Times-Picayune, Nov. 11, 1907.

Houdini played two weeks at what was commonly known as the St. Charles Orpheum in New Orleans. (Not to be confused with the Orpheum that still stands today, although Houdini did play that theater in 1923.) During this engagement, he was also challenged by the B. Cohn Company Ltd. to escape a packing case while shackled in "old-fashioned slave chains,” and he dove manacled into the Mississippi river. The St. Charles Orpheum was razed in 1965.


Thanks to Eric Fry for the St. Charles Orpheum vintage postcard.

Related:

Wednesday, August 14, 2024

Funeral home where Houdini was embalmed

Here's a new walk-through video of the abandoned building that was once the funeral parlor where Houdini was embalmed. It's in bad shape, and I don't know how much longer it can stand, but it's still there!


Want more? On my Patreon, I've shared an interview with Jack Gibbons, one of the men who embalmed Houdini.


Tuesday, August 13, 2024

See The Grim Game and Ben Pratt in New Hampshire

This Friday, August 16, comedy illusionist Ben Pratt will be performing at the Park Theater in Jaffrey, New Hampshire. Preceding the show will be a screening of Houdini's The Grim Game. Ben will also do a straitjacket escape during his performance.


Sunday, August 11, 2024

The Bee stings Houdini

Here's an article from The Bee in Danville, Virginia, that must have stung Houdini if he ever saw it. Houdini is included here among a group of movie stars who seem to have disappeared from the silver screen.

The Bee, July 28, 1923.
    Think back to when Houdini was all the rage in moviedom. The famous contortionist who featured in the thrilling serial, "The Master Mystery," made his parting bow to films a long time ago, after which he also served in the Keith circuit, and finally left for the much needed rest.

This article appeared on July 28, 1923. Houdini had released The Man From Beyond less than a  year earlier and was about to release Haldane of the Secret Service, so he was hardly absent from the movie screens. But maybe this shows just how far interest in Houdini as an actor had diminished, at least in Danville!

Related:

Friday, August 9, 2024

Revealing Houdini's diary at MAGIC Live!

Part of MAGIC Live!'s mystique is that all performers and presenters are kept secret until the event. So I can only now share that I gave a presentation on Houdini's diary and the upcoming book, Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899, during MAGIC Live!'s General Session on Monday.

I spoke about how the project came to be and shared select entries from the diary for the very first time. MAGIC Live! is a convention that focuses mainly on performance magic. But based on the kind words I received after my talks, I think this diversion into magic history went over really well.

Initially, we had planned to launch the book itself at the convention. But Michael Albright is still working hard on the layout and design, so I'm afraid we don't yet have a release date. But however long it takes, it will be worth the wait.

Thanks to Stan Allen for allowing me to be part of MAGIC Live! It was a real honor.

You can listen to an interview I did at MAGIC Live! with our friend Scott Wells at The Magic Word Podcast. As always, Scott provided excellent coverage of all four days. I've excerpted my interview for patrons below.

Thursday, August 8, 2024

Sherlock Holmes in The Grim Game

Sherlock Holmes and Dr. Watson investigate the death of Houdini in this well-researched audio play by Scott McQuaid and Pop Up Theater. I really enjoyed how much Houdini's history is woven into this and, of course, the title! We even get an appearance by Howard Thurston. Enjoy.


Monday, August 5, 2024

Guest blog: Houdini in Pittsburgh by Zabrecky

Recently, magician Rob Zabrecky spent six weeks performing in Pittsburgh. As the lead Houdini Seance medium at the Magic Castle, Rob knows his Houdini history, and Pittsburgh has a lot of Houdini history! Rob takes us on a tour in this special guest blog. Enjoy!

HARRY HOUDINI
IN PITTSBURG

A deepish dive into the master magician’s
life and times in the Steel City

By Rob Zabrecky

Pittsburgh is a wonderful city. Many of its original buildings, homes, and small businesses are still intact and operating. There are more neighborhoods than you’ll be able to visit, and many of its downtown areas could easily be stunt doubles for lower Manhattan’s streets and alleys. And let’s not forget that Steel City was a regular stop for Harry Houdini, who headlined its theaters, jumped off one of its bridges, and wiggled upside down out of a strait jacket before legions of curious onlookers long before you were born.

The master magician performed in Pittsburgh many times, primarily at the Grand Opera Theater (1906 – 1915) at 332 Fifth Avenue in downtown (now operating as The Warner Centre). Pittsburgh was a regular stop during his touring years. He performed here nearly annually for two decades until his death in 1926. Next time you’re there don’t miss:

The Houdini Triangleat least that’s what I call it. The following three locations are within a few short walkable blocks of each other. Each location represents a different aspect of Houdini’s performing and touring career:

*Houdini Upside-down Straightjacket Escape: At lunchtime on November 6, 1916, Houdini hung like a bat outside the office windows of the Pittsburgh Sun newspaper performing his world famous upside-down straightjacket escape. He dangled and escaped from the straightjacket high above legions of Steel City spectators prior to his show later that evening at the New Davis Theater. This performance also served as a publicity stunt, making local headlines and ensuring every ticket for his full evening show was sold.

100 years later to the day, Pittsburgh magician and escapologist, Lee Terbosic, recreated Houdini’s escape before a large and enthusiastic crowd to commemorate Houdini’s original feat.
Liberty Avenue & Wood Street, one block from Liberty Magic, 811 Liberty Avenue, Downtown Pittsburgh

*Houdini Bridge Jumps/Plunges: Houdini jumped off the old Seventh Street Bridge into the Allegheny River twice, both times while handcuffed in Pittsburgh Steel. The daredevil’s first jump was on May 22, 1907 and was repeated the following year on March 13, 1908.

The second jump proved much more difficult than the first; the nearly freezing temperatures of the early spring water was much colder than during his previous jump. Houdini biographer Bill Kalush wrote: “On March 13, 1908 Houdini told a reporter from The Pittsburgh Leader that the day before the leap he sent a cable to Hardeen, who was doing similar act then in Europe, and the charges came to exactly $13. That same day Houdini’s mail consisted of 13 letters. He switched rooms at his hotel and the new room, was no. 26, divisible by 13. The letters contained 13 new challenges, the license plate of the auto that drove him to the bridge totaled up to 13, and the cinematographer who was filming the jump had exactly 1,300 feet of film in his camera.”
“I feel nervous today,” Houdini said. “There is a goneness in my innards that isn’t pleasant.” He ate an apple to settle himself down, then dove. It was exactly 1:13.

“In a minute and half from the time, I struck the water I had freed myself and was ready to rise to the surface,” Houdini told the press. “Small boats were cruising about looking for me, and, as luck would have it, I came rushing up at great speed just underneath one of these crafts. So rapid was my ascent that in rising I hit my head a fearful blow…and sank back into the water again stunned and bleeding. When I struck that boat I thought of the thirteens of the day and concluded that it was up to me to battle for my life. Just when it seemed that all was over with me, I rose to the surface and willing hands dragged me to safety. It isn’t any fun taking your life in your hands. Really, I’m in earnest. If a fellow wasn’t married it would be a different thing, though even a single man oughtn’t to be hankering for chances to risk his life”
The Seventh Street Bridge/Andy Warhol Bridge
Seventh Street & The Allegheny River

*Location of former Alvin Theater: Nearly a year before his death, on September 18, 1925, Houdini was winding down a run at Pittsburgh’s Shubert Alvin Theater. During the run he offered $10,000 to anyone who could use supernatural powers to correctly answer three questions that were placed by him into sealed envelopes. Then then pastor of the Pittsburgh Church of Divine Healing, Reverend Dr. Alice Dooley, attempted — and failed — to answer Houdini’s secret questions.
119 Sixth Street, near Sixth Street Bridge. Currently a closed Bailey’s Gym.

*

Many of Houdini’s Pittsburgh performances were presented at the now defunct Grand & Davis Theaters:

September 24-29, 1906: Grand Theatre, Pittsburgh, PA 


May 20-25, 1907: Grand Theatre, Pittsburgh, PA 


May 27 – Jun 1, 1907: Grand Theatre, Pittsburgh, PA 


March 13, 1908: Houdini jumps from 7th Street Bridge, known today as the Andy Warhol Bridge, Pittsburgh, PA 


March 16-21, 1908: Grand Theatre, Pittsburgh, PA 


November 13-18, 1911: Grand Theatre, Pittsburgh, PA 


March 8-13, 1915: Grand Theatre, Pittsburgh, PA 


November 6-11, 1916: Davis Theatre, Pittsburgh, PA 


March 6-11, 1922: Davis Theatre, Pittsburgh, PA 


February 1, 1924: Carnegie Music Hall, Pittsburgh, PA 


February 23-28, 1925: Davis Theatre, Pittsburgh, PA 


September 14-19, 1925: Alvin Theatre, Pittsburgh, PA

*

From an article titled, “Harry Houdini and Pittsburgh – the ties that bind,” Clay Morgan wrote:

Industrial dominance drove the growth and identity that brought Pittsburgh to prominence and made it a major destination for famous vaudevillian performers. Houdini arrived in 1905, fresh off a five-year European tour that created his reputation as escape artist and "King of Handcuffs."

Around 40,000 Pittsburghers were treated to the nail-biting exhibition one century ago on March 13, 1908. Houdini stripped to his swimsuit, surrendered to tight manacles fashioned from Pittsburgh steel and leapt 40 feet from the original Seventh Street Bridge into the stinging Allegheny River waters. In a short while, his head bobbed up and vanished before he emerged for good, free and holding the conquered cuffs.

Houdini’s first Pittsburgh plunge came almost a year earlier, on May 22, 1907. A rare photo from the time peers over the backs of spectators staring at the bridge in direction of the North Shore. In the background, filthy factories pour billows of smoke into the lunchtime sky over the crowed waterfront. To the right, onlookers crowd the rails of the bridge. Over a dozen boats linger in the water. In the center of it all is Houdini in mid-jump – dressed in a white bathing suit and falling, knees still up. In less than two minutes he rose from the murky stage.

However, his first trip to Pittsburgh was in November 1905, The Jewish Criterion wrote: “He defies anyone to come on the stage of the Grand next week and bind him successfully.”

The Grand Opera House hosted Houdini during his first visits to Pittsburgh from 1905-08. Intense buzz in 1906 created so many sell-outs that Houdini stayed a third week so everyone around town could have a chance to experience the mind-jarring show.

He returned to the Pittsburgh Grand in 1913 [most likely 1915] and brought influences from afar, the East Indian Needle Trick and the legendary Chinese Water Torture Chamber. On Nov 6, 1916, Houdini escaped from a Straitjacket while hanging from the Pittsburgh Sun Building 50 feet in the air. On Nov 7, 1916, Pittsburghers packed in the New Davis Theatre to see Houdini headline.

In October 1919 (as Congress outlawed alcohol), “The Grim Game” opened in theatres such as the Grand, Strand and Belmar. Houdini played Harvey Hanford, wrongfully accused of murder and desperate to escape.

Pittsburgh’s strict “blue laws” also outlawed movies and performances on Sundays, so Houdini won by grabbing the headline show on Saturday evenings. In Pittsburgh, he topped his buddies Charlie Chaplin, Buster Keaton and Tom Mix.

Over the final years of his life, Houdini dueled with Sherlock Holmes creator Sir Arthur Conan Doyle, an avid supporter of spiritualism. The men took turns lecturing in Pittsburgh. Houdini spoke at the Carnegie Hall on Feb. 21, 1924. The following year he brought a full medium exposing show to the Davis Theater. Once again, Pittsburgh demand kept him in town an extra week. Houdini’s final Pittsburgh show was at the Alvin Theatre in September of 1925.

In 1916, Houdini — now 42 years old — returned to Pittsburgh to appear at the former Davis Theatre. He drew thousands of people into the street by hanging upside-down in a straightjacket on a rope in front of the offices of the Pittsburgh Sun newspaper at the corner of Wood Street and Liberty Avenue downtown. He wowed the huge crowd (and promoted his show) by successfully and safely wriggling out of the jacket.


Thank you Rob!

Rob's own nicely formated PDF of this article can be downloaded at my Patreon below.

Related:

Friday, August 2, 2024

Houdini's admiration for Ben-Hur


Here's an interesting nugget to finish off the work week. This comes from an interview with Houdini by Fred Lockley in The Oregon Daily Journal on June 4, 1920.


I can understand how the character of Judah Ben-Hur would appeal to Houdini. Not only could he identify with him as a fellow Jew, but I think Houdini saw himself as someone who developed his mind and body despite his circumstances. For some reason, I'm reminded of this quote:

"When I was playing Dime Museums and being classed a 'freak,' I generally kept very quiet and tried to make a living, not knowing that I was developing my dexterity by working ten to fifteen times daily."

Today, we tend to think of Ben-Hur as a classic movie. But when Houdini gave this interview, Ben-Hur was best known as a novel by Lew Wallace and an enormously popular stage play. This is also from The Oregon Daily Journal (Feb. 22, 1920).


Curiously, Houdini says in this interview that his father was born in Italy instead of Hungary. But Houdini plays fast and loose with the truth throughout this piece. He also claims to have "flown a mile" in Australia.

This interview appears to have been conducted while Houdini was working on Terror Island at the Lasky Studio in Hollywood. Here's another nice detail.


Remember, "row well and live."

Want more? You can read all three installments of the Fred Lockley-Houdini interview as a "Scholar" member of my Patreon below.


Related:

Thursday, August 1, 2024

LINK: Houdini and Raymond: Revealing Letters

Myron the Magnificent has shared on his blog three interesting letters between Houdini and Maurice Raymond that shed light on their contentious relationship. The letters are part of the collections of The New York Public Library for the Performing Arts, Billy Rose Theater Collection. Check them out by clicking the headline above or visit Myron's Blog.

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